Search: Starring Jason Isaacs

On balance this is a serviceable thriller with plenty of exciting moments.

This is not the action thriller it has been billed as but a slow, smouldering portrait of a man losing his way.

Scott surpasses himself. The visual quality of the action sequences is exceptional.

Passably entertaining as long as you haven't seen any other films.

If you have ever laughed at the headmaster when he slips on an egg yoke this movie is for you

Julianne Moore, as Sarah Miles, is a revelation.

The script is full of witty gems, while still remaining rooted in reality.

Ayer’s film doesn’t really have the script or plot to back up all the hardware.

We feel rather as if we're watching Springtime For Hitler but with real gas chambers.

The Order Of The Phoenix is the best in the series.

Is it familiarity that makes the heart grow fonder? Or magic?

If ever there was a critic-proof film, this is most certainly it - but, pleasingly, it's so good that it doesn't have to be.

There’s a genuine unpredictability to Honey Bunch, both structurally and thematically.

The film is clever. It is violent and merciless, also.

Alas, what we see does not meet its match in what we hear.

The real horror lies behind the scenes.

Kranz, best known for his acting career, certainly didn’t pick an easy project for his debut behind the camera, but his work proves exceptional.

A beautifully observed portrait of a couple in crisis.

The plot stumbles into an abyss early. There is nothing left because there was nothing here in the first place

The film throws ideas at the screen so much that it's not only for its two hours and change of runtime that it feels like more than one film at once.

Little 'uns will love this cinema treat - and parents, too.

The film is simplistic to the point of absurdity.

An intriguing, well-acted, quietly funny film that, though it is outright weird most of the time and certainly won't be to everyone's taste, has a quirky charm and emotional heart.

Everyone loves a bit of nostalgia, but you've got to put your heart into it.

Everything hangs on Billy, but he's empty.

Miller is a talented young actor and does his best with the material, while Isaacs, though he gets very little screentime, is impressive as always.

The story is so predictable you wait for that running-through-the-spray on the beach scene with dread and could choose the girly ballads on the soundtrack with pinpoint accuracy.

The Tuxedo is like a Chinese meal. You've forgotten it half an hour later.

Wigon’s film is arch as a proscenium from the start